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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。故事讲述了10岁的城里孩子陈宇轩因参加一档体验类真人秀节目，来到河北革命老区的乡村生活。由于自身骄纵偷懒的毛病，陈宇轩不能很好地完成节目组的任务。在这段时间里，他无意中发现一封鸡毛信。鸡毛信的主人赵爷爷在他做任务之余，给他讲述了自己在抗战反扫荡年代送鸡毛信的故事。随着节目进程和鸡毛信故事的发展，现代儿童陈宇轩与当年送信的赵海娃在各自的故事里成长着，不同时空的交错下，两个年龄相仿的男孩分别完成了自己的任务，逐渐成长为富有责任感的少年。。